Skip to main content

New Sony A7R III Specs


Inside the a7R III is a 42.4-megapixel back-illuminated full-frame Exmore R CMOS sensor. Despite its high megapixel count, the a7R III is fast with a continuous shooting speed of up to 10fps with full AF/AE tracking — this is twice as fast as the 5fps offered by the a7R II.Using either the mechanical shutter or the completely silent shooting mode, you can capture a burst of up to 76 JPEG/RAW photos and 28 uncompressed RAW files. In live view, you can shoot at 8fps with minimal viewfinder/LCD lag.
The updated BIONZ X processing engine can also process images 1.8 times faster than the a7R II. While a batch of photos is being written to the memory card, many of the camera’s key features are still usable — things like the Function and Menu buttons as well as image playback and organization.
Compared to the a7R II, the new a7R III also features new technologies — a gapless on-chip lens design and anti-reflective sensor coating — to achieve better low-light performance and wider dynamic range. The a7R III features an ISO range of 100-32000 (expandable to 50-102400) and a ginormous 15-stop dynamic range at low ISOs.

The focusing system of the a7R III features 399 focal-plane phase-detection points that span 68% of the image area and 425 contrast AF points — this is 400 more contrast points than the a7R II, which had 25. The result of this upgrade is that the a7R III can lock in focus at about half the time in low-light situations compared to its predecessor, and tracking and Eye AF are 2 times as accurate and effective.
“Additional improvements in focusing flexibility include AF availability in Focus Magnifier mode, focal-plane phase-detection AF support when using A-mount lenses, an ‘AF On’ button, a multi-selector or ‘joystick’ for moving focusing points quickly, flexible touch focus functionality and much more,” Sony says.
On the back of the a7R III is a high-res OLED Tru-Finder viewfinder with 3.686 million dots. It has coatings that reduce reflections and resist dirt and can be toggled between frame rates of 60fps and 120fps.Under the viewfinder is a 1.44-million-dot LCD screen with improved viewing in bright conditions as well as an adjustable quality setting (“Standard” and “High”).In the area of video, the a7R III can shoot 4K video across the width of the full-frame sensor. It can also shoot Super 35mm format with full pixel readout without pixel binning for 5K worth of data and then oversample it for impressive 4K footage.
Source www.petapixel.com


Comments

Popular posts from this blog

Video format explained and compared

 This article explains main video formats and later compares with photos the quality. Audio Video Interleave (.avi) Developed by Microsoft and released with Windows 3.1 way back when false teeth were still made out of wood, AVI files have been a work horse of digital video. Although its popularity has been waning, lots of legacy video in AVI can be found all over the web. More recently, AVI has been abandoned for Microsoft's WMV (Windows Media Video). One of the most maddening things about AVI today is that the format doesn't allow for specifying an aspect ratio, so a 16:9 AVI video may start displaying at 4:3 - this is less of a problem if your player allows you to manually select aspect ratios. If you're watching in the non-pro version of QuickTime though, you'll have to learn to live with people being unusually narrow. Advanced Systems Format (.asf) ASF is a proprietary Microsoft container that usually houses files compressed with Microsoft's ...

After Effects Alternative

Pro editing. Superpowered visual effects. Next-generation films. Editing Trim, ripple, roll and slice everything from feature-length films to 30 second YouTube videos, with HitFilm Pro’s industry standard editing software. Create 3D title sequences for your sci-fi thriller, distort action cam footage and get a hi-res second monitor preview of your work. Editor Get that rough cut looking sharp with HitFilm Pro’s dedicated editing trimmer, customizable workspace and shot-transition features. You can mix different formats, resolutions, framerates all on the same timeline and quickly import and organize your footage. Auto sync Tired of turning your characters into ventriloquists? With the much-requested audio auto-sync feature, your DSLR scratch audio will automatically synchronize with your files from a dedicated audio recorder. No more awkward sound delays. 3D titling Draw your audience in with 3D title sequences and stunning lower thir...

1100 $ AMD system to edit 4K

Amd recently has released some great CPU with high cores and low prices. About 305$ you can get an editing beast with 8 cores @3.7 GHz. This cpu will be enough to edit smoothly. There are more expensive cpu and higher cores or higher frequencies but to be honest we don't need real time exporting. You can have a break and drink a coffee while exporting your video. Memory is important. Lower the size the more time it takes to do task. I recommend 16GB DDR4. (2400Mhz or more is great also). That amount will make switching between applications easier and faster. So right now we spent 305 dollars for cpu and 150 for memory (RAM). Sum is 455 $. Lets suppose you are upgrading your system so you have some hard drives and some ssd maybe. I love SSDs for system and as a drive for footages. For the system Samsung EVO 970 will do a great job for 90$ ( Sata m.2 250GB @Read speed up to 3400 MB/s). Asus x470 Pro is a great mainboard for 160$. Also find power supply more than 500w. I recommen...