Skip to main content

Triple export time in Premiere PRO

This is a short tutorial!

Adobe Premiere PRO Encoders dont use too much the graphic card. Graphic cards are so powerful to encode video. So according to Daniel2 there are some pluggins you can add to premiere and use graphic card and cpu together to speed up encoding.
Use the power of the Nvidia GPU to massively accelerate your content creation, image processing and production workflows.
Some Videos



Application Areas

• Post-production - massively improved throughput and faster processing
• High density multi-channel HD, UHD/4K or 8K recording
• HFR Cinema, 8K and beyond broadcast acquisitions - perform ultra high-res HDR recording using commodity IT hardware
• High-end VR Production – ultra high-res 360 degree recording and playback
• Ultra high-speed recording – in HD, 4K, 8K, 16K or even higher custom resolutions
• Mobile 8K and/or multi-cam 4K editing on notebooks
• Ultra large scale imaging – much faster processing combined with variable compression quality ranging from lossy to lossless
• Medical imaging - visually lossless or mathematically lossless many times faster than JPEG2000
• Video over IP for broadcast, film, security, telco and many other applications
• High-end KVM over IP with very low latency and better fidelity than H.264 or H.265
• Display walls and tiled multi-screen / multi-projector presentations
• AI & Computer Vision – vastly improved throughput and lower memory consumption for faster deep learning and computer vision
The Daniel2 GPU based codec is inevitable. There is no way around it. The advantages are so compelling making this a no-brainer. It is a win, win, win scenario!


Daniel2 Codec Specs

  • From 4:2:2 to 4:4:4:4 color space - YUV to RGBA 
  • From 8 to 12 bit as well a 16bit color depth 
  • Extremely low encoding and decoding latency (< 1 ms for 8K) 
  • Multi-generation re-compression without artifacts 
  • Freely selectable compression ratio / bitrate 
  • Variable bit rate, constant bit rate or constant quality encoding 
  • Lossy or lossless encoding modes Nvidia CUDA acceleration and CPU fallback mode
  • Region of Interest Decode - only decode selected window inside the image
  • Scale while decode - only consume the memory of the target size, avoid separate scaling stage
  • Available for Windows, Linux and Mac OS - latest OS versions, 64 bit only. 
  • Intelligent alpha channel support for small file sizes 
  • IP video support - the perfect codec for low-latency, high-quality compressed IP video transmission 
  • Extremely high speed GPU decoder and very fast CPU decoder

Comments

Popular posts from this blog

Video format explained and compared

 This article explains main video formats and later compares with photos the quality. Audio Video Interleave (.avi) Developed by Microsoft and released with Windows 3.1 way back when false teeth were still made out of wood, AVI files have been a work horse of digital video. Although its popularity has been waning, lots of legacy video in AVI can be found all over the web. More recently, AVI has been abandoned for Microsoft's WMV (Windows Media Video). One of the most maddening things about AVI today is that the format doesn't allow for specifying an aspect ratio, so a 16:9 AVI video may start displaying at 4:3 - this is less of a problem if your player allows you to manually select aspect ratios. If you're watching in the non-pro version of QuickTime though, you'll have to learn to live with people being unusually narrow. Advanced Systems Format (.asf) ASF is a proprietary Microsoft container that usually houses files compressed with Microsoft's ...

New Sony A7R III Specs

Inside the a7R III is a 42.4-megapixel back-illuminated full-frame Exmore R CMOS sensor. Despite its high megapixel count, the a7R III is fast with a continuous shooting speed of up to 10fps with full AF/AE tracking — this is twice as fast as the 5fps offered by the a7R II.Using either the mechanical shutter or the completely silent shooting mode, you can capture a burst of up to 76 JPEG/RAW photos and 28 uncompressed RAW files. In live view, you can shoot at 8fps with minimal viewfinder/LCD lag. The updated BIONZ X processing engine can also process images 1.8 times faster than the a7R II. While a batch of photos is being written to the memory card, many of the camera’s key features are still usable — things like the Function and Menu buttons as well as image playback and organization. Compared to the a7R II, the new a7R III also features new technologies — a gapless on-chip lens design and anti-reflective sensor coating — to achieve better low-light performance and wider dynamic...

After Effects Alternative

Pro editing. Superpowered visual effects. Next-generation films. Editing Trim, ripple, roll and slice everything from feature-length films to 30 second YouTube videos, with HitFilm Pro’s industry standard editing software. Create 3D title sequences for your sci-fi thriller, distort action cam footage and get a hi-res second monitor preview of your work. Editor Get that rough cut looking sharp with HitFilm Pro’s dedicated editing trimmer, customizable workspace and shot-transition features. You can mix different formats, resolutions, framerates all on the same timeline and quickly import and organize your footage. Auto sync Tired of turning your characters into ventriloquists? With the much-requested audio auto-sync feature, your DSLR scratch audio will automatically synchronize with your files from a dedicated audio recorder. No more awkward sound delays. 3D titling Draw your audience in with 3D title sequences and stunning lower thir...